As the release date for the fifth book approaches, I am in something of a reflective mood. I am trying to consider, think back upon how things have moved on since I first decided to sow seeds, to write a blog and then make the move to writing books. All of which, comes under the umbrella of this blog, of Petal’s Potted Preserve as an entity.
All of the books can trace their lineage to this blog; writing here about the allotment is what inspired me to dip into another medium. I wanted to transfer what I was doing here to another way of recording, sharing and communicating. Sharing was the key aspect; how far could my relationship with my allotment go, who might it reach, who might it help, might they learn from it?
I am and always will be a bookworm; there is something purely magic about a book. I feel that is true for most books. Be it fiction, non-fiction, be it a textbook; there is a beauty within it.
The mere thought of a library, makes me smile. I have yet to be part of one, but a girl can dream, yes?
A lot has happened since the yellow book went public. The yellow book; playing with plant pots, turns three in two days. I’ll post about that later.
Since plant pot tales was published, my job has changed. There have been two significant bereavements, I’ve trained to be a counsellor, and there has been an epic, really close family wedding. My life has been a constantly developing, evolving process and experience. All of which has meant I’ve dipped in and out of maintaining my allotment whilst also writing.
As parallel processes, gardening and writing both involve sowing a seed, crafting and nurturing, whilst exposing your soul whilst putting your heart into something that believe in. There is a lot vulnerability too, in going out on a limb. I don’t think I have tried to follow the rules on my allotment. I didn’t write a traditional gardening book; none, of my books are traditional.
Plant pot tales, is very much an extension of the blog. I have yet to identify the voice I use in that book. Read it out aloud, and you may just hear my paved-over Birmingham accent. It is me having a chat, telling you what I have recorded in the blog. There are recipes that carry the scent from Mama F’s kitchen. The book is a living experience, organic; it quite literally is the seeds of an idea. It is also imperfect. A baptism, of not knowing what to do, how to do it and learning as I went along. Least of all in a gardening sense. This was my entry into the world of Indie Publishing. I wouldn’t change it for the world.
I took a punt writing it, putting it out there. In having a conversation with my youngest sister, declaring that I would write an e-book about my allotment, see what happens as I had nothing to lose; I took a huge leap of faith, and couldn’t tell you if it was brave or stupid. I don’t know if I had courage. I just did it, and did my best whilst in the heady, green-fingered throes of determination.
I wouldn’t have done it differently, I wouldn’t turn back the clock. Plant pot tales was the first. It was the herald, the pre-cursor to an interesting journey.
It was six months before the arrival of the next one. I simply couldn’t sit still; there was still something in the tank, and it wanted out. The allotment had been abundant, there were courgettes all over the shop. I’d also starting making jams, jellies and spirit infusions. These were documented on the blog, but still needed to travel. I’d caught the bug, I wanted to write again.
And so the green book came to life.
After which, things become a little blurry.
There was a gap of nothingness from April til December.
From January 2016, I was locked into something altogether surreal, The blue-coloured book didn’t arrive until March 2017 but I was writing over the year. This was a furious state of productivity; I had to write, get things out, get them onto paper in black and white. There been two very close bereavements, a lot of unsettled-ness and I was embarking in Counselling training. Loss, bereavement, grief, the circles of life were crashing and colliding.
That book was Fragments. Book number three, my first foray into fiction.
There’s a lot of pain in that book; there is joy too, it’s not entirely bleak. I saw smudges of hope and light when writing, that echoes in the pages of the book. This was never going to be a happy, fluffy book. This is a book that seeps with the human condition. It is my attempt, I guess, to grapple with something that we as humans avoid. We avoid talking about grief, bereavement; the end of life.
Here I was, making it public.
As with it’s two predecessors, the book also has power. The power to reach readers, to be a part of their process, inform and assimilate into how they experience the world around them. I like to think, that people read my work and take something from it. One of friends and colleagues made a comment. “Punam, you must have had an interesting life to write a book like that.” I took that as a compliment, and continue to make life interesting.
With Fragments out, I must have sat still for all of two weeks. Fragments had been a year of working hard, and for it to be over; there was a loss. There was a pain, a detachment from something that I had become invested in, something that had more or less governed each and every waking moment. I had an emptiness at having spilled my guts out. It physically hurt to have Fragments out there; as though it had been hoiked out from the depths of my soul. I had made something really important.
What I needed to do at that point, was to heal. I needed to mend. I needed to stretch my writing muscles.
I needed a giggle. Something to feel me with a light, maybe switch it on, help me extend. Something that felt hopeful and carried light.
Along came the Peace Novella series. I had nothing to lose, a lot to gain.
Creating Devan Coultrie was a huge, experimental shot in the dark. I was amongst seasoned writers, well established in the world of romance. Romance, a whole genre that I really didn’t know a lot about; a whole genre, congested with stories and with it’s own rules and regulations.
I struggled with the idea of a happily ever after. Thankfully, a happy for now would work. I struggled with there being few characters of Indian-ascent in romance novellas. I struggled with colliding and combining British and Indian traits. I was throwing all sorts at this book, and not knowing where all the chips would land was beyond unnerving. I still can’t tell you how I did it. How I managed to write a piece of romantic fiction.
So much so, I wrote another.
I wrote book five. This, is me having another go.
By the 3rd of September, I will have self-published 5 books. Each one has my name on it. I always look at the covers, a bit surprised to see my name.
To have published one, was exhilarating. Two, helped me find a sense of purpose. Three, was a call from the universe, an attempt to put myself together; see my scars, dents and appreciate what makes me who I am. Four, was an experiment.
No idea what Five is, just yet.
When I know, so will you.