Category Archives: writing

Writing; a process and a journey

Standing on the edge of a new decade, I’ve been thinking a great deal about the last few years and my journey as a writer.

I struggle to identify as an author, as a writer. There is a huge mountain, of feeling like an imposter that somewhat colours that self-image. I find it difficult, to say it out aloud. I can tell you, that I’m a counsellor, a teacher; that I have an allotment. Yet, telling you that I am author, that I write books, will be done somewhat sheepishly.

2020 sees book number seven be published, there are a couple of books events that I’m going to be involved in. So I have a lot of focus on, as a writer. My plan, beyond that, is to spend 2020 writing. I have a stack of notebooks, pens and ink. There are plans for works. So I won’t exactly be twiddling my thumbs.

I won’t start writing til January; January 6th is the date that I contemplate sitting at my desk to write.

Why then?

It’s Epiphany, the day the Three Kings arrived after their journey having followed the star. The notion that we have an epiphany, a moment of deep-seated clarity, that is also part of it.

At the moment, my head feels like it is full of squashed flies. I did write two books this year, and I choose to rest as we move towards the festive period. I plan to do little during this time of family, feasting and merriment. I need to recalibrate my soul a little, do some reading. I’m currently half way through Neil Gaiman’s American Gods, so we shall see what else I read.

I also need a dictionary slash thesaurus. That has been on my mind a great deal.

The 10’s have seen seven books. Well, technically, it’s the last five years; that’s when I first published a book. So I have been busy;I have pushed myself in a ridiculous fashion at times to get things written. It has taken that time to figure out what my writing process is.

I hand-write most things, the first draft of them in the first instance. Hence the notebooks, my pens, a box of ink too. I have a bittersweet memories of Fragments. Two massive great big, hardback notebooks and black biro. I bought my ink pens right at the end, I felt a though I had found my magic wands. They’ve been my trusty companions ever since. Fragments, gave birth to  my writing process. Researching, writing, constructing; and feeling too. Of being immersed in something, so much so, that your soul permeates through it, every fibre of it.

There is a cost to writing; the intrinsic one, that perhaps gets missed. I know not to write when exhausted; it physically hurts.

That said, I have works for next year. I’m conscious that I have the tendency to get absorbed into a project, almost a though I have blinkers. The challenge, is that I have three that I would like to work on, concurrently, in parallel. Something that I haven’t done before, and it does feel overwhelming, The sensible thing, would be to take one at a time. Yet, this feels intrinscially different. I want to take my time, I’ve yet to set myself a deadline. Ordinarily, I would give myself a year for one project. A year is a long time, and I have yet to set my a strict deadline.

There is something whimsical about the writing plan for the next year. To write in bits, fragments, I guess. To listen to my brain and soul, as to what could be written. I have plans, stories mapped out.

The key is not to put pressure on myself, to kick myself. I like to write, I like to create these universes.

With that comes some excitement. What I plan to write, makes me smile. I have a sense of joy about it.

Here’s to it actually happening.

In the mean time, some speculative, flash-y fiction.

****

Copyright 2019 Punam Farmah

Cabinet meeting

Tapping his toe to a blues riff, Gorbind nodded as long as he stared at his pint. He’d been asked to get to The Gunmakers after he had put Mango to bed.

It was his daughter who had relayed the message. Something about the cat speaking to her, having had a fight with a squirrel. The squirrel, had lost. Padmi had screamed blue murder at the carnage that covered her kitchen floor.

Gorbind had resisted calling Forensics.

Given who had sent the message, this wasn’t as strange as it sounded.

“Ah, you came,” Hades pulled up a wooden chair on the opposite side of table. A tumbler of Kraken rum slid across to sit next to Gorbind’s.

He was still trying to figure out his poison.

“That cat of yours,” pronounced Hades, “Is a sandwich short of a picnic.” Taking off his long, Mulberry coloured overcoat, he draped it over his chair.

“Not my cat,” said Gorbind, picking up his pint. “Can’t stand him. He’s machiavelli in a fur coat. Padmi’s. Send her your feedback. See what she does to you. Whatcha want?” He asked, sitting back.

“To tell you were right “ Hades pulled his drink closer. “Christmas, Advent, the Mr.Bleu De Chanel adverts. Brings magic. Oh, and she’s doing that thing…”

Gorbind closed his eyes to let out a deep breath.

“She looks at all the pieces “ he said softly. “Puts corners in place. Starts putting things together. Fragments had diagrams, post-its. Kangana, a trip to the mill. Think you, Hades, were an exam. You just wait til she add the human condition.”

“I’m not human-“

“No, you’re a God,” said a third voice.

A woman in scarlet had appeared by the piano. She moved slowly towards them, her silken skirts rustled.

Hades snapped to his feet. He bowed, to take a gloved hand and plant a kiss near knuckles.

“The Lady Aurelia,” he beamed, stepped aside and pulled out a second chair.

“Shit, the Vampire,” Gorbind stood, holding onto his pint.

“Stand down, Detective Inspector Phalla,” Aurelia smirked as she pulled off her gloves. “I’ve no inclination to eat you. His Unholiness here, tells me you’re one of the colours on the wind. A thread in fabric of the universe. A White Knight, sent from The Powers That Be.” She lifted a veil frok her eyes, unpinned her hat to set it down onto the table. “I know of you, and of your young lady, Mango. Her real name, Gorbind. Altogether very fitting, I must say. A good choice.”

Clicking her fingers, she conjured up a scarlet-hued merlot.

It was definitely merlot.

Wiping his hand across his jacket, Gorbind remembered his manners. “How lovely to meet you,” he added a smile; more out of curiosity than anything.

She knew about Mango. That would do.

“Take a seat, Gentlemen,” Aurelia flashed a toothy grin. “We have much to discuss.”

****

Needless Alley, Birmingham.

“What take are we on?” Yawning, Hades stretched his eyes open. “I’m cold, wet, and that Christmas Market; it’s all a bit trippy.” Pulling up a fur-lined hood, Hades sunk hands into the depths of deep pockets. He’d overlook the fact that it was maroon, toggled and made him look like a hipster trying too hard. “Oh, and I could do with a stiff drink. Gunmakers isn’t that far away. We could skive.”

“Cold, wet?” Gorbind screeched loudly . He narrowed his eyes to open his jacket. His shirt was slashed across his stomach, there were two gunshot woods in the centre of his sternum. “You’ve not been shanked and shot, having ran down the stairs of the Floozie whilst trying to catch a bad guy.”

“That’s true,” nodded the Lord of The Underworld. “I tend to just evisc-“

A glare from Gorbind told Hades to quit whilst he was ahead.

“Take six, seven, nine and a half,” grumbled Gorbind, pulling his own coat closer. Knee-length, blue and quilted, his was a bit more sober compared to Hades. Rain was coming down in sheets; it had been all day. “She won’t commit anything to paper, unless she has proper sequence of events for the opening salvo. There are just snatches for now. She’s waiting for a tipping point; to stitch all the fragments together. Get to the point where our paths collide.”

“Meh,” Hades shrugged to root around in a pocket. He grinned to pull out a hip flask and a packet of Jelly Babies.

“Those,” said Gorbind, “Are mine.” Grabbing the bag, he tore away the corner. “Tell Padmi about these, and you’re a dead man.”

Scoffing, Hades flicked the lid of the flask.

Gorbind bit the head off a green jelly baby. Looking left and right, he checked around. The muse wasn’t to be seen for now.

“It’s okay, Mercury slash Hermes, is otherwise engaged,” commented Hades. “He’s had a rough patch lately. The world, his wife and every single writer in this world is out to brain him.”

“Gunmakers,” sighed Gorbind, stuffing the jelly babies into his pockets and making a move.

“Gunmakers,” smirked Hades, following the man fated to become his wing-man. “But Street Food Place first. Line your stomach. I can drink til hell freezes over…”

Rolling his eyes, Gorbind walked passed Tesco’s and into the blurry mass of market goers.

No one would see them, hear them; they might feel a breeze, a buzzing that they couldn’t decipher.

A zombie copper and the Lord of the Underworld. An unlikely alliance.

******

Habemus Hades

Savouring the taste of Ragu, Padmi pulled a face. She dropped a tea-spoon into a blue bowl, to reach for a pepper mill. It squeaked as though in pain as Padmi ground the contents.

She was alone this afternoon.

Gorbind had taken Mango out; he was enduring jelly, ice-cream and party-rings.

Padmi and Gorbind were also in the middle of a fight.

She was wrong; he was right.

Football, be damned.

Padmi had no plans to concede defeat. She was holding Gorbind’s stash of Jelly babies hostage until he gave up. Until he bent to her view and her view alone.

He could stew a little longer.

Behind her, the kitchen door swung open. She felt a cold, cutting breeze across the back of her deck. Padmi caught a reflection cast across shiny kitchen cabinets.

“Finally,” she said, her lips parted into a smile. “Sweetie, you have a face.” Lowering the heat beneath the pan, Padmi turned to face her visitor.

“Meh,” pulling at his cheeks, Hades shrugged. He passed a hand across coarse, dense stubble. “And a get-up,” he parted his jacket-tailored as it was was-to reveal a Waistcoat covered in pastel-pink poppies. “It’s a start.” He sighed, sinking his hands into his pockets. Hades looked down at his feet; he wiggled his toes within the confines of teak-coloured Oxford Brogues.

“And we know hows this ends, Hades “ Padmi looked the Lord of the Underworld up and down. “You’re a bit…rakish,” she squinted, to incline her head. “Skinny. Not my cuppa tea,” Padmi frowned, shaking head. “You should be a little…beefier.”

“The feeling is mutual,” Hades poked out his tongue, to laugh. “I’d worry if I was your cuppa tea, Padmi. It really wouldn’t work. Reckon you will ever have a face; the women of the Fragments universe? Aditi too.” His question was a distraction. He was suddenly feeling very vulnerable; exposed by having a face, an identity.

“No, never,” replied Padmi. “We’re any woman, and every woman. Oh, and Dracula,” she crossed her arms to leave against the work top. “You don’t have to see us, hear us to feel our thrall, our magic. It hangs in the air, our presence is pulled taut as thread in the fabric of the universe.”

Raising his brows, Hades hung on her every word.

Any woman and every woman.

Padmi was right. They both knew how this would end.

At least now, he had a face.

 

 

Kangana: Light after dark

kanganapbcoverjp

A month ago, I was starting to pace up and down.  Book number five was lined up to go live. My fifth book in four years, there was a lot of anticipation hanging in the air. There was fear, anxiety, but also some level of excitement too.

Of all the books, Kangana makes me smile, and I am only just starting to figure out why.

Kagana is my ray of sunshine, rainbow book. A book that signals a change in me, my mind-set and subsequently my writing mojo.

It marks the end of what has felt a jumbled up, chaotic time. A time during which my life has gone through all sorts; there’s been growth, development, sadness, joy, not to mention lots of interesting adventures. The last five years have been wonderfully formative, giving rise to five very different books. Five. I still don’t know how that happened.

Previously, I have noted that writing about gardening was some of a multi-layered metaphor; this blog, has evolved and grown from the seeds of an idea and continues to do. Writing two gardening books, was much about my growth and development as much as it was about my allotment.

To this day, I cannot tell you why I made the leap into writing fiction, writing stories that couldn’t be more removed from roses, mud and raspberries. I remember the moment when; mid morning, tapping my pen-a green biro-against lined paper. I had an idea.

The genesis of Fragments came from grief, bereavement; it is not an easy, soft, all is rosy book. Fragments is a whirling tornado of emotions, humanity, tears and pain. Don’t get me wrong. In the same way that every grey cloud has a silver lining, so does Fragments.

Fragments is  a book about getting up again having fallen down; about dusting yourself off and moving on. It is a book about finding strength, even when don’t think you have any. This is a book that shook me sideways, and at a time when I was feeling broken; this was my way of finding out my depths and layers.

When Fragments went live, I remember feeling wounded. I’d written this book, eighty something thousand words, and it hurt. I had this massive great big hole, as though something had been wrenched out of me. Absolute internal pain, and it throbbed. I remember feeling as though I had been kicked in the stomach.

What the flip was a girl to do?

Well, she waited four weeks and decided to go find the Peace Novella series.

You’ve heard a lot about RTP-that’s Retreating To Peace. I feel bad writing this,  but Devan Coultrie was definitely a band-aid. A sticky plaster to fix into place what ever Fragments had done.

RTP is a romance, yes; a contemporary romance. It’s not fluffy though, Devan and I both had dents. So we both fixed them, together. I rebelled, I wasn’t willingly going to write a fluffy romance. I still couldn’t find it in my soul to do so.  I remember asking my fellow Peace writers to read it, but wincing in anticipation.

I’ve never been so scared to let anyone look at my work. (Team Farmah never get a look in, honest) I sat there, with the handwritten manuscript pressed to my chest. I didn’t want anyone to read my romance novella and then beat me with it. I struggled with the concept that all romance novellas were full of bow-chick-wow-wow that defied the laws of Physics. Full of bodice ripping country squires and doe-eyed damsels.

But I took stock, received positive feedback. I prized the manuscript from my chest, and did a really funny happy dance. The ladies of the Peace Novella series , picked me off the floor to dust me off. I stood up, held my head high.

Then I bit the bloody bullet.

Off went RTP, released into the ether and unto the masses.

There was something very nice, warm and fuzzy about having written RTP. Devan Coultrie was a lovely, faith-restoring band-aid, and I am most certainly not done with him.

The ladies of Peace, were sent to my universe for a reason.

Anyways.

I took the summer off, decided that I was I need of a break. Both Fragments and RTP had changed my head space, and now there was a scope for sunshine after the rain.

Taking a walk to Sarehole mill with my sister, I let the greenery of Middle earth talk to me. That was August. I went home, wrote three thousand words, then put my notebook away. I was not in the mood to do any more writing.

Autumn and winter passed. I got busy, and there were too many things happening for me to be creative. One Saturday, I sat with my soft pastels and decide to make rainbows. Three were created in varying configurations. Rainbows had been very much on my mind, especially with counselling therapy. I even had a set of oil paints and tried to paint one with the EMS as a reference.  In my mind, rainbows demonstrate the power of the universe. Light after dark, hopefulness. The way that light bends with water to give the different wavelengths. It makes great scientific sense, but its wonderfully magic.

Putting aside the pastel creations. I went looking for my notebook. I looked at the three thousand words and knew that one character from Fragments was my next venture.

That character was Gorbind; a bit part character that had a sliver in a chapter. You could literally blink and miss him.  As with Devan Coultrie, Gorbind was borne out of a lack of Indian romance books. This continues to annoy me, so perhaps I can do something about it.

I was writing yet another romance.

Romance.

Kangana was now being forged;  I had a chapter list, a sequence of events and also a playlist.  I had  also more than once visited Birmingham’s Museum and Art gallery, where seeing the Lucifer sculpture and Rosetti’s Porsepine fueled my imagination further.

For the next ten months, my poor parents heard Dr.Zeus’ Kagna-two versions-, Hallelujah-three different versions of that-, Eric Clapton’s ‘Layla, not to mention Cyndi Lauper’s ‘At last’ on loop. This made a huge change from Jolene, two thirds of Adele’s back catalogue and all of Maroon 5’s as used in RTP and Fragments. I do have to say though; for some daft reason, halleleujah has occured for all three fiction books.

Kangana has made me laugh, it has made me smirk. It has also made me think of Gianluigi Buffon in a whole new light.

Why?

Well, most of my main characters have faces as I write them. Gorbind was the esteemed Mr. Buffon. Devan Coultrie, was Aidan turner. In Fragments, Jamie Dornan inspired Christopher and Adelphi. One day, all the rest will have faces. Albert Finney, is Grandad Albie.

Kangana is a lighter book. It does have its dark bits. All rainbows do. Kangana is a book that marks a change; it’s a book that marks a movement forward into a different direction.

No idea what that direction is. There is a stack of writing projects sat on my desk.

Two have been pulled out for development. The one, is labelled Hades. Yes, him of the underworld. The other is identified as Aurelia and involves vampires.

That is all I have for now. I have no further details as my mojo is at rest until Spring. That doesn’t mean that I won’t be planning and gleaning the universe for inspiration in the mean time.

All in all, this means a break from intense hot-housing and slowing down to regenerate. For now, I am going to bask in a rainbow and colour my soul.

Go grab your copies, try to do the same.

 

 

To write, to be me.

The World Cup has just kicked off. I heard the first goal go in over the sound of Maroon5 whilst I was sat at the kitchen table.

At the moment, I am spending a lot of time at the kitchen table. That is where I write, where I type up my writing projects; that is where all the magic happens. That is where I feel the safest, most productive and on task.

Hearing that goal go in-I thought of my work sweepstake-I was typing up the first of this years writing projects. It is all handwritten, now needs to be digitised so that it can be crafted further. I’ve spent eleven months writing it on the back of Retreating To Peace, and its one of two projects that I was aiming to  get done  by the end of the year. I am sort of on track. I don’t have any external deadlines, this project is firmly on my own terms. That doesn’t stop me from philosophising and wondering what the point is. Distracted, I’ve set it aside for a minute.

I’ve had that question, what’s the point, on my mind for a long time.

What is the point of what I am writing, why do I put myself through it, what do I get out of it exactly?

Every time I write, start a new writing project, I effectively pick a part of my soul to make public. In doing so, I am -through closed eyes and gritted teeth-handing over a piece of me, for public scrutiny.

The world being what it is, it can be kind or cruel. You never know, unless of course you ask for feedback, look at the reviews. That can either bolster you, make you smile or send you off in a spiral of self-criticism.

I can safely say, I’ve done both.

Over the last week, I’ve had to have some supportive words with myself.

Punam, grow a thicker skin. Roll with it. You can’t please everyone, please yourself. Be mindful, that people are going to have an opinion.

You might not like it, you might not agree.

What you do with it, is up to you.

You could give up, do something else.

(Oh, I nearly did, but I really like my ink pens.)

Or you can carry on. You do what makes you happy, what makes your soul sing, and helps you find your place in this world.

You’ll never guess how much of that is the result of four years of counselling training. That all came to a close this week, so introspection is currently a big part of my frame of reference. I am that bit closer to finding my personal power and being able to use it.

I am a little bit closer to finding out about me, the way I see the world and how I fit into it.

Writing, has been a big part of that journey over the last four years.

This blog has been a big part of it. This is where it all started with chilli plants and tomatoes. Potatoes too, and that should have been an omen. Carl Rogers had a lot to say about potatoes, especially those in his basement. Potatoes that grew toward the light, towards actualising their potential.

I started my counselling journey in 2013 with Level 2 in listening skills. It was two years later, when I had done level three that I wrote Playing with plant pots. A book that built on this blog, and was the start I guess of a process of self actualisation. I was tending the allotment, tending to myself at the same time; the book and blog were a testament to that. A testament to what was about to happen. I don’t remember much-apart from the theory-about level 2. In terms of real life, there was a fair bit going on with my job, that had left me that emotionally in a bad place. The allotment and writing were both acting to help me realise the internal incongruence that I was feeling. Those who say that gardens help you heal; that’s perfectly true. I was using both as therapy. It was also at that time, that I stumbled across Michael Perry, the illustrious Mr.Plantgeek. I remember writing a few guest blogs, and the thought of putting them in a book took shape. It is the lovely Mr.Perry that I credit, for adopting the hashtag Bollywood gardener.

Level three happened, and the second gardening book came along. We’d from the seeds of an idea-with both the plot and books-to trying to blossom. The plot was full of produce, full of flowers; it was well tended and very, very productive. Writing Sow, Grow and Eat was, alongside all the jams, jellies and Chutneys a time of abundance. I had something to show for most things. All of those seeds, had grown to blossom, bud and fruit. Doing level three was hard, and my counselling journey was feeling fruitful too. I liked it; I liked the subject, my classmates, tutors and process of growth. It was different, having taught Psychology and been so entrenched within the medical model. What I was doing, was taking a big swing to being more human. The Person-Centred approach as an aspect of Humanistic Psychology felt as though it was a big part of me.

There was a gap between level three and level four,  it now feels very blurry. I was lost without having a college routine-I’ve studied at night school for one day a week whilst teaching-so I volunteered for a couple of organisations to maintain my listening skills. Having levels two and three, that was what I had. I was a proficient trained listener. Not yet a counsellor.

Then came level four. This was not something that I entered into lightly. I wanted to do it, I needed to. What I didn’t know, didn’t appreciate, was how much this journey would impact upon me. The journey has been rather tumultuous.

I can only describe it in this way. My apologies to Lego!

It’s been a long, challenging and somewhat solitary journey. No one else quite understands what the flip you are doing and why. Imagine you are a Lego house. You’ve built yourself; your family, friends have added bits. The rest of the world has given you a leaky extension with room for a pony. The universe tells you to do level 2, to lift that Lego house high. The thing slips, falls and then smashes across granite flooring. You then spend the rest of levels 2, 3 and 4 putting that house together brick by brick. You look at each one, throw a few away, question that bloody leaky extension and build a bigger, better Lego house. You find a tribe and you realise that you weren’t that alone. You realise that you are doing something really very useful.

Just like that Lego house.

I’m still bloody standing.

 

Somewhere between level three and level four, there was a family bereavement when my Grandad passed away.  Nana had taken an interest in the allotment, and had even visited the  plot once. It is with his memory, that the yellow gardening book starts.  Six months after he died, I started to write Fragments. I remember being at work, picking up a pen and writing the first chapter. In green biro of all things. It was released March 2017. I’d spend all of 2016, from January, writing it. However,  at the end of the first term in Autumn 2016, there was the passing of Aunty Indra. I didn’t write for ages after, it all felt too painful.

When I did write it, I remember looking at it; wondering where it all came from.

I knew though, that it came from my experiences of loss and not just through loved ones dying. There was a lot of defeat, loss and a lack of autonomy that was happening in other areas of my universe that flowed through my ink and into the book. There are bits of Fragments, that I remember writing whilst in tears. There are bits that really painful to read.

It’s not a skinny book, it is huge. Writing it, was a mission; there were fugue like states where words just had to be put down. Else there were no for them, for feelings and thoughts to go. Paper, has a lot of benefits.

I still look at the book, and wonder what happened. How on earth, did I get all that done?

I do think it has its uses. For me, and for those reading it. It’s not perfect, I know that. But I am glad that it exists. For now, it is also probably the hardest thing that I have written.

As Level Four kicked off proper in the spring of 2017, I finished Fragments. I also had personal therapy, a course requirement but boy was it useful. I guess writing fragments had put some things away, made clear others, but the journey of realisation wasn’t done yet.

Being a trainee counsellor, you have therapy to help modify and manage your own figurative lego house. As a client, you understand what it means to be the counsellor. You, can only go as far as your client allows you; how far do you go as client?

Going to therapy, being a trainee counsellor has heightened my own courage to make sure people talk about mental health, that people have access. That there is less stigma, that we have these conversations.

There was a three month gap between finishing fragments and undertaking a new writing project. I still had something in the tank; I needed, wanted, to write. It was through sheer fluke that I found The Peace Novella Series. Something so far out of my comfort zone, so far removed from Chilli plants, there was no clear link between the two.

A couple of things to keep in mind. I read. I like to read both ebooks and proper books. I’m a bookworm, have been since I picked the pirate books when I was seven. I’m not a big romance reader, but I wouldn’t turn my nose up at them. People like them, lots of them are available. I have written romance, space romance as part of Fan-Fiction, so I’m not a complete dolt. I’d just never focused on it as big, writing project.

Not many, have characters of Indian ascent.  Okay, you might read Meera Syal, but how may folks go find her? I think she is lovely, very under-rated, and more people should read her.  So, maybe I should write one? Write the sort of book that I might like, but don’t see in the harlequin/Mills and Boon shelf in the library.

Enter Devan Coultrie. Bereavement was still on my radar, a left over from Fragments. But this was romance, and this was….going to be a challenge.

I live in a world, where I am regularly asked by Aunties why I am not married? What is so wrong with me, that I don’t have a husband and babies.

Of course, this is all my fault; I should know better, I am not getting any younger, and I really need someone to look after me. All my peers are married, having babies; am I too fussy, too stubborn that I am putting suitors off? Perhaps you really should dye your hair, make yourself look a bit more presentable?

I’m really not doing myself any favours, now am I?

In terms of person-centred theory: I have found an internal locus of evaluation-I’ll get attached, have babies when I want to. The introjects from the aunties et al that are based upon social, cultural and historical norms are contrary to my own feelings, thoughts and autonomy. What they say I ought to do, is not what I want to do.

So, why should I?

Being different, to them means being difficult.

(Therapy and self realisation, tells me different)

Okay, so I will have to put up with it. I will  have to take it on the chin. I still haven’t grown enough to challenge this. I would get dagger stares, huffs and puffs. Also, that person-centred theory really doesn’t translate well to Aunties et al. This, is all they have to say to me: this is small talk, that has a huge impact. Their perception and intent are not to undermine me, or make me think less of myself.

That, that I swallow down to remember that I have self-worth.

As far as they are concerned, they are expressing their wishes for me to do what every one else is doing.

Meeting expectations.

But this romance. Retreating to Peace. Not your average bollywood drama, I tell you. This is a book that makes me smile. One would hope, that those reading it would smile too.

I guess, this is a book borne out of having a bruised heart. Of struggling with cultural expectations, that I find hard to challenge. It’s bad enough that I plant flowers, fruit and veg! Not the past-time of your average young woman of Indian-ascent.

I realise that this has all gone off-piste. I started to write this, to refocus. My mind was drifting from typing, I didn’t fancy watching football.

Guess this all needed to come out.

I’m glad that I have written those four books. At the last count, I had nine projects to complete between now and Christmas 2020. That does sound a lot; you never know what the universe might throw at me between then and now.

What I’m going to do, is get some crisps. Find my book-I’m reading something about a PI-put the tv on and watch football.

 

 

 

Make a bookworm’s Christmas!

allthreebooks

And buy them a book; maybe one, two, or even three!

As well as being available on kindle, all of the books that you have seen develop here on the blog are also available in paperback. As the big day draws near, there may be one of them that you fancy getting for yourself or for the book worms in your life.

All being well, if you were to click on the covers below, the universe should send the books out just as the festivities kick off. If the books don’t make it to you before the 25th, then there are twelve additional days of Christmas where celebrations continue.

The first two books are most definitely an extension of the blog. Covering allotment adventures and what you can cook with everything that you might grow, ‘Playing with plant pots’ and ‘Sow, Grow and Eat’ make GYO less complicated and accessible for all.

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Chillies and tomatoes, you can grow your own and look at the food you eat in an entirely different way. Be it on your kitchen window sill or in your garden. Growing your own fruit and vegetables need not be scary or complicated. This book contains learning experiences of a novice allotmenteer, Ideas as to what worked, what didn’t and what to do with too many courgettes. From first having an allotment, and not knowing what to do, to growing chillies that are some of the hottest in the world. Anecdotal evidence of success, failure and ideas to help make growing your own fruit and vegetables a little simpler. All of the details are real, that means influenced by rain, shine, slugs and snails. The details are honest, and aim to inform readers of how allotments are worth the hard work put in and will yield fruit that makes it all worthwhile.

 

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If you ever wondered how to sow and grow chillies, or what might be useful to know when growing tomatoes and what happens when radishes go wrong, then you will need to have a look inside! Building on the experiences of ‘Playing with Plant Pots: Tales from the allotment’ there is more to be learned from the fruit and vegetable plot. With a few allotment plot staples revisited and others that you might not ordinarily think about, this second book also contains further recipes to be tried using plot fruit and vegetables. Growing your own fruit and vegetables is still uncomplicated and still an opportunity to create edible experiments. Within these pages there are jams, jellies, chutneys and infusions all just waiting for you to read about them and to create them in the comfort of your own kitchen.

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Life starts and life ends. In between we form relationships and friendships. We have husbands, wives, sons, daughters and we mustn’t forget pets. Memories form that shape who we are and what we do. Only for death to cast it all askew. What we know becomes nothing by fragments, torn up and thrown to the winds. The Anands lose a wife and mother, Matthew is lost without his grandmother, Daniel loses the man he loved, Michael wonders about having children and Maya is a mother bereaved. Within are six inter-related stories explore what happens when the universe as we know it implodes and entirely. Grief is a journey to be travelled by them with emotions to be experienced as their lives are changed. Whilst they feel alone they are all connected and these are their stories. Family, friends and even our pets cannot escape when it comes to the footprint that is left by death.

‘Fragments’ is definitely not about gardening, but it’s genesis has most certainly be documented on the blog. Grief and bereavement are the sort of things that we might not discuss everyday, but are certainly part of the lives that we lead. I do hope that those who read it, will get as much out of it as much as I did in writing it.

Gnome-Magic! Meet Fróði!

Britain is the home of Gnome-lovers, and there is something quintessentially British about them. There was a time where the gardens of Blighty would have had at least one gnome or two to keep the veggie patch safe.  Gnomes have been known to come in all shapes, sizes and have something of an urban mythology and folk-lore attached to them.

So much so, I figured that Petal could do with a new friend. A new friend to keep the veggie patch safe and channel the universe. Perhaps even protect the ink pens from dark magics and unwanted universal forces.

Meet the dark and mysterious Fróði!

‘The learned one’

 

Made by the lovely Gnomebase, Fróði is the guardian of the ink pens and herald of the muses.  With a velvet cap, mystical garments and silver embellishment, he’s something of a learned chap and fits in well with all things Orticultural Obbit.

 

You can get in touch with Gnomebase via their FB page or click on the etsy link above.

 

 

 

Behind the blue pastel #Fragments

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For now, my pen, all three of them actually-are at rest.

All of the writing projects are in a lull. One writing project is being reviewed at a draft level for release slated as March next year. The others being very much being paused due to a lack of mojo. I am taking a rest, as the daydreams have disappeared for a bit and  have left me to my own devices.

With that, I have been thinking about Fragments and the process of writing it. What I have been reflecting upon, is why I wrote it and the stories that are within the pages. For days, I have been thinking about what I might share about a book that I feel I had to write, wanted to write and hope that people might something out of. Three things, that are no different to how I felt when writing about my allotment and on this blog. Three very important drives when picking up a pen and committing thoughts and feelings to paper.

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‘Fragments’ is not a book full of sunshine, rainbows or butterflies. The theme of the book and that which covers all of the six stories is grief. Grief, bereavement and loss is something, that like taxes is part of our lives.

It happens to us all, but for each of us the journey that occurs is unique.

Grief, bereavement and loss are also veiled in social acceptance; talking about grief, showing how it affects us and then processing it, is all very much on the down low. It is shied away from, thought of as dark, gloomy and best dealt by alone. Grief, bereavement and loss feel spikey; we hold these things at arms length and wrinkle up our noses when faced with them.

‘Fragments’ started it’s life nine months after I experienced the loss of my  maternal grandfather. He was the last grandparent. To this day, I remember the message that my sister sent me, I remember telling my mum-the hardest thing, that I have ever had to do-and I remember leaving work, climbing into George, turning off the music, and heading off towards the A444. I remember Nana still being there and at home, whilst I went looking for saucepans and tea bags in the kitchen. I remember cursing March, as it was such a pain in the backside. There was relief when March ended, I can assure you.

Starting to write in November and much later in the year, I didn’t think about purpose, tone or audience. I wasn’t even thinking about writing a book. All I wanted to do, was write down the day dream that I was experiencing and as quick as I could on lined paper with a green biro. I had written two thirds of the first chapter, when I realised that what I was writing was important. I couldn’t give it up, and I had to go with it. There was no plan, I  had not plotted out arcs or characters. This was seat of the pants writing, and then some.

I found a notebook, a robust one; I wanted to do this properly. This daydream was far too important to ignore and at this point, I thought about planning what shape it would take.

All in all, six interwoven stories appeared on the page. I know, there are only five on the blurb. But hey, find it, open it,  and find the sixth.

There are the Anands, Christopher, Daniel, Michael, Aldo and Matthew within the pages.

The Anands are an Anglo-Indian family who lose a wife and mother. Christopher loses his dog. Daniel loses his husband, Michael and Aldo are parents bereaved. Like me, Matthew experiences the loss of a grandparent.

I have another character in the book. Marcy, a counsellor.

All of these characters, these people somehow reflect the world around me. There were times, that during the writing process they all felt real and very much three-dimensional. Figments of my imagination these characters may have been, but within the pages of Fragments their worlds are some form of reality.

Over the course of nearly two years, the six stories were developed. I must have dragged them on every adventure I went on, used bottles of ink and spent hours poring over the two notebooks that the stories would fill. There were tears, when I felt the stories so strongly and had to sit back with a cuppa to be at arms length. There were smiles when the words flowed. In writing the book, I had put my soul onto the page to go through both pleasure and pain.

When it ended, I felt a loss and not to dissimilar to that experienced by the characters.

Fragments had become a part of me, it contained so much that I thought I had dealt with. It became an act of self care-though, at times when I pushed myself to get it written, this didn’t feel the case. Writing helped me to process what my own feelings and thoughts were and I cannot find the words to convey this more clearly.

When eighty per cent of Fragments was written and Christmas 2016 drawing close, there was another family bereavement.

My pen froze.

December 2016 was painful as Aunty Indra passed away.  Again, I was cursing the month for being so awful.  I couldn’t write a single solitary thing. I don’t think I was supposed to, the universe didn’t want that to happen and at that point, I put books of any sort aside.

It was an interesting book-end. Fragments started with a death, it was finishing with a death.

Time had to pass and grief had to be processed before I could pick up  my pen again. When I did and at the end of January, Fragments was ready to resume its course.

It wasn’t just the writing that was therapeutic. Making the cover was also important to me. Whilst I had the title of the book, nothing felt right when it came to the cover. So much so, I fancied getting creative. In already having a stash for colouring, I knew that I had soft pastels somewhere. I used these to create three different pieces. All blue; blue felt right for this book and I went with it. Playing with sugar paper and soft pastels was rather interesting! What I couldn’t then do, was decide which one would be the cover and the options went to a public vote via social media. I gave no clue as to what the image was for or what the content of book was.  In then end, ‘Fabric of the universe’ won and became the book cover.

Recently, when learning about grief and bereavement during my counselling diploma, Fragments took on another dimension. I saw the book, the themes from a different perspective and as being even more real One hell of a light bulb moment occurred, and writing the book felt even more important.

I opened with saying that my pens are at rest. For now, they are and until the mojo returns, that will remain the case.

Until then, I shall be smelling the roses…..

 

Pages, Plotting, and Petal #I am writing

Petal and I  are currently on our summer holidays, all two weeks of it. We have already spent a few days floating around Cambridge, by way of having time and just adventuring to a different beyond the borders of Middle England. This has lent itself to sitting in different spaces and writing.

As well as tending to the allotment-as hit and miss as it has been-there has been a parallel project this year of writing another book. This book is a work of fiction, the previous two projects have been non-fiction and allotment orientated. I chose to write fiction for a number of reasons. Firstly, I wanted to; amusing as it is daydreaming and having a smile creep across your face, to put it down onto paper is really quite nice. And it is all on paper, I choose to hand write my stories long hand in ink in my notebook and then type up, prepare them further later on. It does however mean that I have to decipher my rather awful handwriting. Handwriting, that if you ask my mum, makes your eyes go a bit a funny. Second, the current work is about a topic that people might struggle to talk about, to process. I am writing about grief and bereavement, and I guess it is all borne out of having lost the last of my Grandparents just over a year ago. The process in part, is for me a process of reflection and getting a handle on my own experiences. Third, I have written non-fiction, writing fiction is a step beyond my comfort zone. It is a step towards doing something different, it is a step further in an ongoing process of development.

Writing this third book has been very different compared to the first two  and it will take the time necessary for it to be where it should be. I am not going to rush it and force daydreams to appear. There have been periods of time where there have been no daydreams, I have written nothing. Yet the plan, over the summer, was to make a dent and to write. So I have been trying.

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See, I told you my handwriting was interesting.

The current work in progress is all planned out and there is a distinct start, middle and end. What I need to maintain is a focus and get the job done. This is somewhat difficult, with writing being shoe horned in amongst different aspects of real life.

What you see above, is book three, being written in my notebook. The tea was very useful, and facilitates the process.  There is a vague plan, for a book four-that this is probably going to be garden related, in some shape or form. However, there is another idea that has started to niggle at the bag of my brain.

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A couple of very good friends and fellow gardeners, had proposed that Petal-the avatar-might have some adventures. This thought was as I said, niggling at the back of my head. Then, I had a day dream as I found myself thinking about. What you see above, is a burst.  A rough, unready, just a splatter, segment. I am unsure, uncertain to a great extent, as to where this is going to go. What I can say, is that there will be Petal Petunia-oh, she now has a surname-adventures. I will be thinking and hopefully daydreaming, to grow this initial burst.

I was thinking, about how I might play with this Petal Petunia burst. Only for something advertised by The Big Comfy Bookshop to attract my attention. They were doing something wonderful with the use of  Rory’s Story cubes.  So with some story cubes now in my possession, I am thinking that these may be useful.

If you get a moment, please go visit the The Big Comfy Bookshop. I have had the pleasure of being sat inside, nursing a big mug of tea and eating cake whilst writing book three.  There are not many independent bookshops out there, or book shops that really support the community to encourage and facilitate greatness. Plus being a bookshop, it is a heaven for every Bookworm.

There is a week left of the summer holiday, a second adventure is only hours away. The notebook and pen are stowed away in readiness.

Here’s to writing adventures!

 

Hello, Sunshine, where have you been?

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If you ask my Mum, the tomatoes have been looking routinely quite sad. They needed watering, and they were cheered up with doses of haitch two oh as and when required. What was more important, was sunshine. Sunshine, which has been somewhat absent and has finally turned up. And very welcome it is too, as it has kick started and renewed feelings of optimism as far as the allotment is concerned. According to the weather people, the sunshine is going to be around for a while; a week at least. With that in mind, the tomatoes have been sent outside to the path in Dad’s garden to start the process of hardening off. Unlike last year, where the tomatoes were all grown under cover; these are going to be outdoors and in raised beds or open ground. Currently they are all having a strop in pots, and I am hoping that if the plants sun bathe for the next few days that I can then take them to the allotment and bury them a bit deeper. The appearance of yellow flashes, tomato flowers, suggests that these all need to get a wiggle on and fairly soon.

This year’s cohort of chillies are the current room mates of the tomatoes, and will also need to be removed to the poly tunnel and be potted up. There are chillies here that are supposed to be small and stumpy, as it were, and those who are supposed to grow tall and abundant. I did sort them out into two groups to make the sorting out easier. The taller chillies will be potted up into large flower buckets, whereas the smaller ones are going to put into pots as they are not expected to take up a huge amount of room. In the last few weeks, the chillies have rather had something of a grow spurt and on time. In the next four weeks they will grow further before being moved to the poly tunnel. Having been sown a little late doesn’t appear to  have to knocked them too much.

With the chillies hitting a stride, there are also emerging seedlings. Recently sown cucumbers and squashes have started to come through. With the frost window remaining open until the next May bank holiday, both of these have got four weeks to grow and become more robust.  In my experience, squashes grow very quickly; you sometimes have to re-pot them to key up. I am hoping that with the four week window they are suitably sized for planting out once that they have been hardened off. With the cucumbers, I do intend for these to be planted and grown outside. I have previously grown crystal lemon outside and harvested a crop.

Seedlings are sat on the sidelines, mean making crumble. Last year I was able to harvest trugs full of apples and these were then frozen alongside some plums. Today has been spent making a plum and apple crumble. The second in four days!

With the crop of a previous year being used up, we can look to the future crop. A walk to the plot meant finding cherry and apple Blossom. The two cherry trees, Sylvia and Morello, are new additions to the plot; so it was rather heartening to see white buds n the Morello, but a lovely white bloom-just the one!-on the Sylvia tree. I wasn’t expecting to see any blossom on them this year, so I am really quite surprised to see blossom. I did check on the Concorde pear, that appears to have taken the frost on the chin, and is still looking frilly. The darling peach tree does still have a couple of deep pink blooms, there had been half a dozen; I did fleece at one point only for the wind to disagree with the shrouding.

The otherwise heavy clay of the allotment has had a chance to dry out. This has been to the relief to the heritage garlic that Marshalls were kind enough to provide for the plot. Garlic is wonderfully resilient, and is actually doing quite well given how much rain it has suffered. There are no signs yet of any bolting, and the ground is weed free so the bulbs should be making the most of the nutrients available from the clay.  The foliage is still very green and leafy, and with another eight weeks to go there is still a lot of growing to be done.

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I do like it when the post person delivers something that you’ve been hotly anticipating. Copies of ‘Sow Grow and Eat’ landed on our doormat and rather made my day. My thanks to the fabulous Howard-(the artist who once sunk spuds, remember him?) for having put the cover together. You will also spot that the Loldeantimber trug is now something of a cover star, it also appears in the book. Given how the trug is used so much on the plot, it was definitely going to end up in the book.

#Plantpottales: The Global Gardening paperback!

It would be amazing to get support other gardeners as we approach the new growing season here in the Northern Hemisphere. My own experiences have been documented both here on the blog and in the book.

‘Playing with Plant Pots: Tales from the allotment’ charts all of my discoveries, the positives and the pitfalls of growing my own fruit and vegetables on the allotment.

You can find the book in both paper back and in ebook forms. The links to the UK amazon and kindle sites are on the right hand side of the blog.

A reminder though, of where you might find the book:

 

The link for Barnes & Noble can be accessed here

Another thing that is really important to me, is supporting independent book stores Sadly, there isn’t one here in Birmingham, England! Or at least not one I can find anyway. I am determined to find one. That said, I am working with Serendipity Books and More in the US. At the moment, they are the only store in the USA that physically stocks and sells copies of the book plus some of the Petal’s Potted Preserve Merchandise.

So if you are in the US, would like to support not one by two small independent business and are trying to develop green fingers, why not check out the store without walls as developed by Serendipity Books and More.

 

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Serendipity books and more: Plant Pot tales